
Yesterday was a good day to be a Canadian, but beyond that, it was a good day to be a Canadian artist.

Yesterday was a good day to be a Canadian, but beyond that, it was a good day to be a Canadian artist.
Okay, my readers. I want you to do something for me. But I’m not going to tell you what quite yet. First, you need a little background and a lot of links.
I just came from a press conference where Mayor Dave Bronconnier declared September as Culture Month in Calgary. It’s pretty exciting stuff, coinciding with the fact that September 18-20 is the second annual Alberta Arts Days, with all kinds of free events taking place province-wide. September starts with the 2009 WorldSkills Competition in Calgary, which is kind of like the Olympics of the trades (and is actually the largest international competition after the Olympics themselves, and Colin and I are planning to watch some of the competition), and then leads into Alberta Arts Days, the Mayor’s Evening for Business and the Arts, and ends with the Calgary International Film Festival, which, this year, features the largest monetary prize in a North American competition.
And, of course, in between all of that, the arts season is kicking off in a big way, with theatre companies launching new seasons, galleries and museums bringing in new exhibits, community organizations auditioning for their 2009-2010 seasons, and way more. It’s an exciting time of year — the excitement and forward motion of a new academic year carries through even if you’re not in school. All the coolest stuff runs on a September start date, right? :)
I’ve been totally immersed in Culture Month this summer — it’s everything that my internship is leading up to. Half my time is spent on Culture Month initiatives themselves — things like helping with a magazine that’s just been released, highlighting the fall arts season in Calgary (which you can find here), pulling together other support material, and getting outside and handing out postcards and other marketing materials.
And, of course, getting the new arts and culture website, CalgaryCulture.com ready to launch. I’ve spent a lot of time in the past few weeks inputting events and making sure that the calendar is as up-to-date as possible before we launched this week, and my inbox is full of emails of even more events that need to go into it. It’s an exciting site, and if you’re in Calgary, you should really bookmark it, sign up for the newsletter, and make sure you submit your own events to it. It already is — and will continue to become — the hub for arts and culture news in the city.
The other half of my time has been spent working on the Mayor’s Evening for Business and the Arts, an awards night that recognizes the partnerships between arts organizations and the businesses that support them, celebrating the fact that these two components are such a significant part of what makes any city what it is. It’s going to be a fun evening (and will really be the end of my internship — I leave for California two days after the event!), and I’ve had a lot of fun working on the steering committee, meeting people from across the arts sector.
So this is Culture Month. Calgary is the first city in Canada to designate an entire month to publicizing and advocating the arts. Several provinces have provincial arts days, and there are some long-term plans to create a national arts days, celebrating arts and culture across the country. We’ll see what happens with municipal arts days, and how other cities take up the challenge to put their arts and culture at the forefront of the city’s collective mind for 30 days.
The thing is, there’s all kinds of amazing work happening all year, and September is just the kickoff. It’s a city-wide celebration and a fantastic way to honor the creative industries that form the heart and soul of the city.
So here’s my challenge to you:
Ever feel like there’s a message that keeps hitting you over the head, getting more and more obvious?
John Cosper, a Christian playwright and filmmaker, posted a manifesto about “Christian films,” particularly talking about what needs to change. It’s a great read, and I wholeheartedly agree — and if you’ve ever heard me talking about many, many Christian scripts, you’ll have heard the same concepts as they relate to very specific pieces that I’ve worked on.
However, the broad meaning of his manifesto isn’t what struck me most today. Instead, it was the following paragraph:
Seek out the best teacher or mentor you can. Don’t go to a Christian teacher just because they’re a Christian. Go somewhere that you can learn from a true artist, one who is a master of the craft in their own right. In other words don’t seek to be the best Christian writer/actor/director you can be. Seek to be the best writer/actor/director you can be.
A few hours later, a very different entry popped up on my RSS reader. Cole Matson, a theatre artist and C.S. Lewis scholar, is writing a series of posts on his transition from the Protestant church to the Catholic church, and it’s a fascinating and deeply personal story. Today, part of his entry talked about the decision to go to NYU’s Tisch School of the Arts, rather than Wheaton College, for his undergrad:
I had loved Wheaton, and had been in awe of its existence as an intentional Christian community of scholars “for Christ and His Kingdom,” as Wheaton’s motto goes. However, I also wanted to study to become a professional actor, and Wheaton did not have a theatre major, much less a professional training program. As a matter of fact, there did not seem to exist a Christian college of Wheaton’s faithfulness and academic caliber that also provided professional arts training. (This gap is one I hope the C.S. Lewis Foundation’s C.S. Lewis College can fill.) The other school to which I had been accepted was NYU’s Tisch School of the Arts, which has one of the top undergraduate theatre programs in the country. I asked my dad, who I knew was pleased that I had fallen in love with his alma mater, for his advice. He said:
“What do you want to do?”
“Become an actor.”
“Then go where they do that best. In this case, that’s not Wheaton.”
Twice, in very different contexts, the concept of choosing a school or other training for its quality rather than for its theology.
Two things strike me as I think about that.
This was supposed to post last week, but with one thing and another (first some internet downtime and then some “me” downtime), I’m just getting to it today. The plan is for this to be a weekly post, but like everything else, it seems that it’s taking a little longer to get started than I’d like it to.
Once I get into the habit and routine, this will be a weekly roundup of what I’m reading, listening to, watching, attending, and doing. This one, however, is not quite a weekly roundup; more like a “last 3 or 4 weeks” listing.
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Two quick things to direct your attention to, while I whip up a brand-new post full of chewy goodness for you to think on:
1) I’ve finally added a blogroll. Check out the “Great Blogs” link at the top of the page for some great reading. It’s not nearly finished, and as I continue to discover bloggers and sites that are worth sharing, I’ll add them, so check that page regularly! In the meantime, it’s off to a great start, so go give my blogging friends some love!
2) I’m now a member of YYC Blogs, a community of bloggers in Calgary, talking about the city and everything else under the sun. I’m just starting to discover what else is in there, and you should wander over, too, and take a look.
I love the city. By which I mean both “The City,” as in any of the cities that I have lived in and many that I have visited; and “the city,” as opposed to “the small town” or “the country.” (But not “The City” as a spinoff of “The Hills.” Can’t say that I’ve ever watched either show.) I just don’t thrive in a small town, and Calgary (at a million people) is just about the smallest place that Colin and I can see ourselves living.
I grew up on a farm, went to school in a small town, and had most of my social life in the city, and the city was where I have always connected and resonated best. Of course, I have a connection to both the farm and the small town, and there are things about both that were very influential during my formative years, but when it comes down to it, cities have always been my personal preference. (In fact, I can remember a family vacation when I was about 14 where I begged my dad not to take the back highways that avoided the cities, because I needed to see a few skyscrapers along the way.)
There’s just something about the convergence of nature, culture, the arts, creativity, technology, innovation, business, busy-ness, vibrancy, dynamism, and diversity that’s exciting and energizing. If God’s greatest creation is mankind, and if our greatest fulfillment and achievements happen when we work in the image of the Creator, then it makes sense that we see God’s creativity and beauty so clearly in the places where it’s shown through the creativity of people. I see God’s fingerprints as much in architecture as I do in mountains. A gorgeous building, an active crowd, street art, a bustling city — these are all things that reinforce my awareness of God’s creativity and greatness, just as much as seeing the majesty of the natural world.
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